Disclaimer: Views expressed are solely those of the author and are not representative of the Soshified community as a whole.
To say the least, it’s clear that Girls’ Generation didn’t release a song that’s like every other song. There was no girl group before Girls’ Generation with such bitter controversy over one song. Controversies girl groups get caught up in are usually over “suggestive” things: suggestive dancing or outfits that expose too much skin. However, people are talking not about their choreography or outfits, but about Girls’ Generation’s song.
What kind of song is “I Got A Boy” to have people divided into either “liking” or “hating” it?
It’s not a song that you can’t listen to. There are already a lot of girl group songs that you can’t bear to listen to, that sound similar and have a similar feel, and they keep coming out. However, “I Got A Boy” is never a song that’s on the same level as those other songs. If it were something you can’t bear to listen to, it probably wouldn’t have become such a controversy because nobody would listen to it.
“I Got A Boy”, first of all, is unfamiliar. “Strange” may even be a better, more accurate expression. The changes in the song are frequent, and it’s not a pattern change that people are used to hearing in their ears. It’s difficult trying to predict that pattern as well. This song is clearly different from Girls’ Generation’s usual songs, and so people initially are repulsed by the song.
Also, when you place the image of “a girl group doing hip-hop” up front, it adds on to the repulsion. People laughed and passed over Girls’ Generation members rapping awkwardly on variety shows and going “Ayo”, but people become stern when the girls earnestly begin placing “Ayo GG” in a song when they say they plan on doing hip-hop. (translator’s note: the girls won’t take it seriously, because they joked about it using the same phrase) It makes people think, “Let’s see just how good you are.” It’s similar to the repulsion and stern feeling people get when male idols say they’re going to do rock music. But honestly, the introduction rap in “I Got A Boy” is awkward. It doesn’t give off a professional vibe.
However, putting this repulsion aside, you can only feel the true charm of “I Got A Boy” by continuing to listen to it. It’s an appeal that remains once the initial repulsion thins out.
“I Got A Boy” is largely composed of two parts. The loose and speedy rhythms of the two parts differ greatly. While it seems different, it also seems similar somehow. This is because after clearly contrasting the two parts, they skillfully mix the two at the end of the song. The sense of awareness of this difference is somewhat addictive.
As soon as the introduction rap ends, they quickly present the hook of the first part. The change into the hook of the second part, which is a lot faster, is made clear by saying, “Ayo! Stop! Let me put it down another way.” Because they pour it all together without any gaps after that line, the change of speed feels extreme.
Tiffany’s part, which starts with “I’m so angry I could die”, suddenly erases the electronic sounds that created the fast rhythm. Unlike the first half of the song, where chattering voices could be heard, it captures the listener’s attention with particularly deep vocals, switching up the mood. They then say, “Don’t stop! Let’s bring it back to 140”, increase the speed once again, and they reach the last part, where they combine the two hooks, not giving you the time to catch your breath. The four minutes and 30 seconds are precisely filled up so it’s not boring, and the song livens up a lot more when you listen to it while watching Girls’ Generation’s choreography on music programs.
In the end, if you want to understand the fun of “I Got A Boy”, you need to have a fairly good understanding of the outline of change. The problem is that you can only see that outline when you continuously listen to it. As mentioned before, because of the repulsion of “girl group hip-hop”, it’s not easy to enjoy it repeatedly.
However, you don’t have to judge “I Got A Boy” while hanging onto “hip-hop” so much. Aside from the rap in the intro, it’s not a song that is classified as hip-hop, so you shouldn’t expect them to sing a hip-hop song well. It’s also a well-made song that’s worth listening to repeatedly. Also, if you think about why Girls’ Generation sang this song, there is a fairly important reason.
This meaning is that, through Girls’ Generation’s selection of “I Got A Boy”, they’ve broken away from limitations and the currently existing road of girl groups. This movement was seen to a certain extent through “The Boys”, and you can say that they’ve completely entered a new path with “I Got A Boy”. They’ve entered a path that will allow Girls’ Generation to be maintained for a longer time without regressing.
Before this, Girls’ Generation’s weakness was clear. A finite “girl” image. As the members get older and the farther they get from their debut year, the image will become one that they can’t put forth, and the “girl” image is bound to disappear little by little as time goes by. This isn’t a problem that applies to just Girls’ Generation, but to all girl groups.
And so this is why most girl groups seek the method of switching from an “innocent” image to a “mature” one. However, “sexy” is mistakenly used to show a “mature” image, creating a paradoxical “sexy girl group” image that people turn away from. Even fans are starting to leave newly debuted girl groups with “innocent” images, and many girl groups have been forgotten and have disappeared.
Girls’ Generation and SM Entertainment probably were aware of this girl group life cycle. And so they probably didn’t go for “sexy”, but true “maturity”, and not for their image, but “musical maturity”.
I think you can define Girls’ Generation and the new path they discovered as becoming “musically mature” and “a girl group that leads K-Pop”. The meaning of “The Boys” was that they would be separating from stale, fed up girl group-esque music. The maxi-single they released, carrying a remix of “The Boys” with lots of electronic sounds, showed their will regarding musical change. Of course, people’s reactions towards “The Boys” was not that good either. It wasn’t as bad as “I Got A Boy” now, but there were still complaints of “Why did they release a song like this?”
Still, receiving a refreshing shock with songs like “The Boys” or “I Got A Boy” is a lot better than being shocked seeing Girls’ Generation doing “spread legs dancing” while wearing disconcerting miniskirts. I would think Girls’ Generation fans should be thankful that a sexy Girls’ Generation didn’t appear.
While there are some people who suggest that they should be singing another “Gee”-like song, it’s not like a “Gee” 2.0 syndrome is something that you can just throw together. Not only that, but looking at “Hoot” or “Oh!”, it’s been proven that it’s not easy reproducing another “Gee”.
No matter how much people say about this and that over “I Got A Boy”, Girls’ Generation is already going on their way. They’re going down a road that other girl groups couldn’t even think of, singing, “you’re such a show-off”.
Disclaimer: Views expressed are solely those of the author and are not representative of the Soshified community as a whole.
Source: My Daily via Daum
Translated by: ch0sshi@soshified
Edited by: moonrise31@soshified, taengsoshi@soshified, MoonSoshi9@soshified
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Nice read :)
IGAB is my Fav!!!
hmmm., very objective and what the article stated its kinda the truth so its Ok!
love IGAB song anyway, so new to the ear.. :D
Hmmmmm interesting……
Although I wasn’t repulsed at the beginning like others, I can see what the author was talking about. They admit to the beginning being odd and so unlike what they usually do, but shows appreciation for them maturing in their look and sound.
I agree that I’m not easily amused by “innocent” girl group images anymore, aside from SKarf that is. I so got it when they clarified what a “mature” concept was over “sexy”, sexy can be seen as mature but mature doesn’t always mean sexy. SISTAR is mature/sexy, but not over the top sexy. SNSD successfully transitioned over the years to a more maturer image, it wasn’t done overnight like other groups. I can say this on behalf of all SONEs(I hope) that I am HAPPY that they didn’t make a comeback doing the spread leg dance in booty shorts because that doesn’t fit them at all.
I am not thrilled about the use of the word “repulsed” in this review either. But I appreciate the effort of the reviewer to be even-handed, although to this day I still don’t get what there is not to like about either the opening rapping or the tempo changes. I’d have been far more disappointed in the rapping if they tried to make it sound like typical hip-hop, because that’s not who these girls are. Instead, it sounds like SNSD to me, exactly as it should, and that’s exactly how I like it. As for the tempo changes … they are awesome! I do agree wholeheartedly with the reviewer when he described the song as a demonstration of “musical maturity”, and I think the willingness to incorporate a degree of dynamic changes within the song that most pop artists are afraid of as “too challenging for the casual listener” is prime evidence of “musical maturity”. And I think that it shows SNSD’s respect for their fans, and particularly that they believe in their fans’ willingness to “stretch their ears” a little … which is honestly all it takes to realize what an excellent song IGAB is.
this is why their are called nation’s girl group… they need to explore the unexplored… making trend for the next generation and breaking the stereotypical girl group.. 10yrs from now, this is trend of kpop!
I really hated how he used “repulsion” so often, but other than that it was a good review. It was objective and understanding.
Very objective. I think there are many people who have waited for this kind of review. My point of interest is that ‘the girls have chosen the right form of maturity’. Nothing short of my expectation indeed, girls! ^^
I was repulsed by the song as well the first time I hear it. But after listening to it some more and giving it some more thought, I realize that this song is one of the most representative work of Girls’ Generation (at least in my opinion, hehe). I guess the reason they can do a song like this rather well (despite the noticeable difficulty) is because they are Girls’ Generation. :D